Hailed as "wonderfully poetic," (Westfalen Post) and “very compelling in his power and presence” (International Composer), Nathan Carterette has distinguished himself in the concert world by performing a huge range of works from Elizabethan keyboard music to music written today. His innovative programming has inspired audiences to approach unfamiliar music with open ears, and familiar music with new appreciation.
Mr Carterette has performed in such venues as Weill Recital Hall and the Yamaha Piano Salon of New York City, the Gasteig in Munich, the Museum für Kunst und Gewerbe of Hamburg, and Cleveland’s Trinity Cathedral. He has been presented in several universities such as the Berklee School of Music, Cleveland Institute of Music, Radford University, Kent State University, Baldwin Wallace Conservatory, and Carnegie Mellon.
His solo premieres include the U.S. premiere of James MacMillan’s Piano Sonata, the world premiere of Dafydd Llywelyn’s TimeQuake no. VII, part II (Hamburg) and several works of composer Quentin Kim, including Variations on an Ancient Korean Melody and Four Preludes. An adventuresome concerto soloist, Mr Carterette has also played a wide repertoire of works, including Schoenberg’s Piano Concerto, op.42 with the University of Missouri-Kansas City for a Schoenberg Retrospective Festival.
Educated at the University of Missouri-Kansas City, where he studied wtih Robert Weirich, and Yale University, where he studied with Boris Berman, Mr Carterette began his piano studies at the age of eleven with Cleveland’s legendary Birute and Anthony Smetona. A chance encounter in 2004 with Welsh composer-pianist Dafydd Llywelyn led to an invitation for intensive private study in Germany, both of the traditional repertoire and Llywelyn’s works.